- Technical Artist work in UE for a variety of projects

       - Material creation, VFX (Niagara/Embergen), lighting, look development, blueprint/logic creation

- Supported and troubleshooted technical issues in order to help other departments with final delivery (assets, assembly, rigging, animation, lighting/rendering)

- Worked on-set as a virtual production lead for multiple projects, operating UE and (XSENS) motion capture in real time as needed by the director/VFX Sup/DP, as well as optimized and prepped 3D environments and assets for DragonFly VCAM and Cyclops' AR capabilities

Credits:
Obi-Wan Kenobi (2022) - Techvis Artist
Ant-Man and The Wasp: Quantumania - Techvis Artist
Prey (2022) - Unreal Engine TA
Candy Cane Lane (2023) - Unreal Engine TA/TD
Madame Web (2024) - Unreal Engine TA
For All Mankind (2024) - Unreal Engine TA
Megalopolis (2024) - Unreal Engine TA/TD, VP Lead
Thunderbolts (2025) - Unreal Engine TA/TD, VP Lead
Predator: Killer of Killers (2025) - Unreal Engine TA/TD, Finals Compositing Artist

- Green screen and set/talent lighting, green screen keying and real-time
compositing/color grading/operating for virtual production and AR
- On-site operating for XR
- Look development/3D generalist work in Unreal Engine
- Camera work, both with camera tracking solutions and camera operating
- Assistance in studio's virtual production workflow/pipeline development

- Consulting on studio builds for XR/LED wall solutions
- Creative direction and execution, from initial concept to on-site operating (KBIS 2021, by NKBA)

- Entertainment sector: shot lighting and compositing, and surfacing for various characters/assets
- Architecture sector: previz, surfacing, lighting, compositing, and video editing, as well as reviewing work based off of architectural plans

- Lighting and compositing shots for the feature film "UglyDolls"

- UV unwrapping, animating, lighting, and compositing the Bell Nexus model into recorded video footage at varying times of day/night for Bell's presentation at CES

- Surfacing, lighting, compositing, and look development services to photo-real interior/exterior 3D scenes, as well as real-time work in UE4

- Lighting and compositing shots for the feature film "Sherlock Gnomes"

- In charge of all audio and music for the all-console release, "innerSpace", as well as assisting in audio asset implementation, testing, and Q&A in Unity3D

- Lighting, rendering, and compositing near-photo-real architecture visualization images/animations for a variety of clients

- Lighting and compositing shots for the feature film "Rock Dog"

- General compositing, continuity, and compositing effects for the feature film “The Book of Life”